Hello Folks, just for your information i will go to the sun this year from the 23rd of this month until around the 15th of october. I got the confirmation today. Hurray :-). hope we will meet here again after my holidays.


Tuesday, 11 July 2017

Ex Members of Them: The Belfast Gypsies - Them Belfast Gypsies 1967 (2003 Rev-Ola) Flac & mp3@320

 The Belfast Gypsies' sole album was first issued in Scandinavia by Sonet in 1967. Though the lettering on the sleeve led many to incorrectly think it was an album by Them titled "Belfast Gypsies," the name of the group is indeed the Belfast Gypsies (though some of the group had played in Them when Van Morrison was their lead singer), and the album title Them Belfast Gypsies. That clarification out of the way, as for the music itself, producer Kim Fowley gives this rough-hewn R&B a manic, freaky edge on cuts like "People, Let's Freak Out," "Suicide Song," and "Secret Police."

The Them-like atmosphere is heightened by singer Jackie McAuley, who's very much a Van Morrison-style vocalist ("Gloria's Dream" is a blatant cop of "Gloria"), though not in Morrison's league. Still, it's quite a solid effort, McAuley's organ pacing the band's brittle rock-R&B, with some decent originals and a diverse assortment of imaginative covers, ranging from Donovan to traditional folk to a tongue-in-cheek classical instrumental.

Their tense version of "It's All Over Now, Baby Blue" is one of the greatest obscure Dylan covers, and the magnificent harmonica on "Midnight Train" is a highlight. [The record was first reissued on LP in 1978 with a slightly different cover bearing the subtitle "Legendary Master Recordings" and historical liner notes by Brian Hogg, though much later many more definite details about the band emerged. In 2003, it was reissued on CD by Rev-Ola with six bonus tracks, though most of these were different mixes of songs from the original LP.](

Garage rock with r'n'b and beat from ex Them members.
Have fun
              Frank   Flac p1 & Flac p2      mp3@320

Folk Pop with some Prog: String Driven Thing - String Driven Thing 1970 (2008 Air Mail Archive remastered +14 Bonus tracks) Flac & mp3@320

One of the finest bands signed to the Charisma label during its early-'70s heyday, Scotland's String Driven Thing originally formed as a trio in 1969, led by the husband-and-wife team of Chris and Pauline Adams, plus percussionist John Mannion. Locally popular at the tail end of the 1960s, the band faded from view shortly after releasing a self-titled debut album in 1970. They continued playing, however, with the lineup expanding to include bassist Colin Wilson
In early 1972, Chris Adams journeyed to London, hoping to interest the Strawbs' management with a three-song demo. Finding himself with some free time, he was flicking through the record labels section of the Yellow Pages when he spotted Stratton Smith Enterprises. He called and found himself in conversation with the head of Charisma chief Tony Stratton Smith's publishing company, Mooncrest Music. Within a week, Stratton Smith himself was in Glasgow, for a String Driven Thing showcase at the Burns' Howff pub; a week after that, the band signed with his label.
Shedding Mannion around the same time, the group returned to Glasgow with a princely retainer of 20 pounds per week, to rehearse. A month later, they went back south for their first ever live shows as a "signed" band: a community hall in the town of Tunbridge Wells, where Strat had his country retreat, and the 1972 Reading Festival. It was an audacious entry, but it worked and the group quickly set to work on its first Charisma album, to be titled -- like its independent predecessor -- String Driven Thing.
Recorded in two weeks in August 1972 with producer Shel Talmy, the album landed rave reviews across the music press, with Melody Maker in particular leaping onto the group's side. (Amusingly, it later transpired that the album's distinctive gatefold sleeve, designed by Po of Hipgnosis, cost more than the actual recording sessions!)

The band continued pushing forward. Visiting France, they stopped by the renowned Chateau D'Heuroville studios (the Honky Chateau of Elton John fame), where they were filmed recording some songs with a French producer, who later claimed he'd done a better job than Shel Talmy ("he had a point," mused Adams); December 1972, meanwhile, saw the band fly to New York to support Genesis at that band's first ever American show, at the Philharmonic Hall. String Driven Thing's rise ought to have been inexorable. Their latest single, "Circus," was making waves on both sides of the Atlantic, and plans were afoot for the group to join Genesis on their own latest tours of both Britain and the U.S. Unfortunately, the beginning of 1973 saw Chris Adams hospitalized with a collapsed lung, an event that was to have a serious impact on String Driven Thing's future.

That experience, and the nightmare of the next week's worth of agonizing recuperation was to form the inspiration for much of The Machine That Cried, String Driven Thing's next album. However, although the band did make it onto the British dates, the American shows never happened; instead, the band found itself shunting up and down the British highway system, playing small clubs and universities, and breaking in the new material. The group's management at this time was being handled by Charisma's own in-house team, a less than satisfactory arrangement, but one that Stratton Smith seemed unwilling to change. Indeed, when Adams approached him to speak of the group's "total lack of confidence" in the setup, he simply "hummed and hawed and did nothing." Neither was that the end of the group's travails. In conversation with another label staffer one day, Adams mentioned that the band was considering adding a drummer to the lineup. A few days later, Stratton Smith showed up at a concert in Oxford, and instead offered them a keyboard player, Robert John Godfrey. He survived a week of rehearsals, but just one show, at the London Roundhouse, before the band declared him unsuitable and brought in a drummer (fellow Glaswegian Billy Fairley) after all. Godfrey went on to his own solo career at Charisma.

In this form, String Driven Thing returned to the studio to record The Machine That Cried, alongside what remains their best-known number, the single "It's a Game." The LP has since been acclaimed not merely String Driven Thing's masterpiece, but one of the finest progressive rock albums of the entire era -- its CD reissue on the British Ozit label was widely heralded as among the most intelligent re-releases of recent years, and the excitement that greeted the re-formed String Driven Thing's return to action hailed almost wholly from memories of this marvelous album. At the time, however, all seemed doom-laden. "It's a Game," although it received plenty of British airplay, went nowhere (although a hit Bay City Rollers cover later went some way toward making amends); The Machine That Cried simply died and, by the end of the year, String Driven Thing looked to have followed it, as both the Adams and Chris Wilson walked out. Stratton Smith alone was left to carry the flag, rebuilding the group around himself and newfound vocalist Kim Beacon, and soldiering on until 1975. The two albums that followed both have their place in the prog rock pantheon, but the magic had gone from the band.
It returned in the late '90s, as the Adams returned to the helm, overseeing both reissues of the band's original albums, and the preparation of new material and concerts.(allmusic)

This is not the official first Charisma album. This are songs from 1967 to 1972 (bonus demos). This album was released 1970. I mention this in case you don't read the review and both albums were released under the same name and title. I will later post the Charisma album from 1972.
Have fun
Frank                     Flac p1Flac p2Flac p3       mp3 p1 - mp3 p2

US Power Pop from North Carolina! The Mayflies USA - Summertown 1999 mp3@vbr312~319

The Mayflies USA are a Chapel Hill, North Carolina-based power pop rock band signed to Yep Roc Records. The band is a classic example of power pop, as their songs featured catchy melodies, vocal harmonies, and prominent guitar riffs. Their style was influenced by older bands such as The Beatles, Big Star, and also more contemporary groups like Teenage Fanclub and Velvet Crush.

The band released their debut EP in 1997, and their next three albums were released by Yep Roc. North Carolina producer Chris Stamey (formerly of the The dB's, and credited by the band as the "fifth" Mayfly) produced their first two records for Yep Roc, Summertown and The Pity List.
Spin Magazine called Summertown "r-o-c-k like they don't make anymore, in love with early Eagles and Bob Welch, in bed with Wilco but dreaming of the Replacements and Pure Prairie League and proud of it."

Keith Cleversley, who produced The Flaming Lips and Mercury Rev, worked on their 2002 record Walking in a Straight Line. The band's albums garnered favorable reviews in publications such as The Washington Post, Spin, The Village Voice, Allmusic and The Boston Phoenix;. In 2007 and 2009, the band reunited for some shows.

On May 16, 2012 Billboard Magazine announced that the band will reunite in October 2012 as part of Yep Roc Records' 15 Year Anniversary celebration.
On August 21, 2012, Yep Roc reissued Summertown, this time on vinyl.

Wonderful power pop album from the end of the 20th century. Beautiful catchy melodies and fine arrangements make this album to a very strong pop album in my opinion. I'm sorry but i don't have this album myself. I found it on the web.That's why only in mp3.
Have fun
               Frank           mp3@vbr312~319

John Sebastian - Welcome Back 1976 (2004 Reprise Japan Remaster) Flac & mp3@320

John Sebastian's relationship with Reprise records cooled after the commercial failure of his 1974 album Tarzana Kid, but he still owed one more record on his contract when his theme song for the television series Welcome Back, Kotter became a surprise hit in the spring of 1976. Reprise, naturally, called for an immediate LP tie-in, and Sebastian obliged. But he didn't really have an album's worth of top-flight tunes ready, and the result was an uneven collection filled out with a near-instrumental ("Let This Be Our Time to Get Along"), a folk-blues song he'd written in the early '60s ("Warm Baby"), and a remake of one of his old Lovin' Spoonful songs ("Didn't Wanna Have to Do It").
The new material tended to be craftsman-like pop songs, the melodies simple and catchy, the lyrics light verse ("You Go Your Way and I'll Go Mine," "One Step Forward, Two Steps Back," "I Needed Her Most When I Told Her to Go"). Employing the soon-to-be Toto rhythm section of David Hungate and Jeff Porcaro, Sebastian had a solid backing when he ventured into island syncopation on "One Step Forward, Two Steps Back," and Jeff Baxter gave him some convincing pedal steel playing on "A Song a Day in Nashville," the only song that really cut deeply, painting a portrait of a struggling songwriter on the rebound who easily could have been Sebastian himself. Then, of course, there was "Welcome Back," a pleasant-enough tune whose endless repetitions of its title betrayed its origin as a brief TV theme song. It was the biggest hit of Sebastian's career, but unfortunately, with his contract up, Reprise had little reason to work to sustain his comeback, and, amazingly, he quickly went from being a man with a number one record to a man without a record label.(allmusic)

To say John Sebastian never reached the fame of sixties Spoonful times is surely true. But this say nothing about what he have done in the seventies. And it say nothing about his music. Welcome Back is an album with some really good songs on it (I needed her most when i told her to go, Welcome back, Don't wanna have to do it, You go your way and i'll go mine) You go your way... is surely an Eagles song without the Eagles but a very good one. All in all Sebastian have done a good album in 1976. End!
Have fun
              Frank   Flac p1  & Flac p2       -  mp3@320

The Anita Kerr Singers - All You Need Is Love 1967 (2015 Warner Brothers Remastered) Flac & mp3

In the 1950s and '60s, the Anita Kerr Singers were one of the most popular group of backup vocalists in all of country music, appearing on countless recordings by renowned Nashville artists. Kerr was the group's leader, but was joined by alto Dottie Dillard, tenor Gil Wright, and baritone Louis Nunley, as the quartet initially gained attention by performing on the NBC radio program Sunday Down South in the early '50s, which led to a contract with Decca Records.

In 1956, the Anita Kerr Singers landed a spot on the New York-based Arthur Godfrey Talent Scouts TV show, which led to further broadcast appearances (although the group never let their session work for others subside). Around the same time, Chet Atkins (then the head of RCA Records' country division) took the group under his wing, which led to the quartet appearing on countless recordings by renowned artists. The Singers continued to record and tour straight through the '60s, even managing to issue several of their own albums, including Anita Kerr Singers Reflect on the Hits of Burt Bacharach & Hal David, Velvet Voices and Bold Brass, and Simon & Garfunkel Songbook, among others.(allmusic)

I only know this album by the Anita Kerr Singers and because i always loved well done vocals in music i like this very much. I am an instrumentalist (and quite bad vocalist :-) ) but one of the first things i learned in making music was the vocals are the most important part in pop music. Anyway this is a very fine work and maybe you give it a try.
         Frank               Flac p1Flac p2    -  mp3@320