HOLIDAYS IN THE SUN!!!




Hello Folks, just for your information i will go to the sun this year from the 23rd of this month until around the 15th of october. I got the confirmation today. Hurray :-). hope we will meet here again after my holidays.

Frank

Friday, 11 August 2017

Psychedelic, Jazz, Pop, Folk, Rock: Roger Bunn - Piece Of Mind 1969 ( 2013 Airmail Archive Japan mini LP CD) Flac & mp3@320




Roger Bunn was hardly ever a household name in music, even at the peak of his career during the last three years of the 1960s. He somehow managed to play with lots of important people and bands, and at major gigs -- and intersected with the early career of David Bowie, as well as playing a role in the founding of such outfits as Roxy Music -- but he only ever got known especially well among musicians, rather than to the public.
Bunn was born in 1942, the son of a deceased and highly decorated war hero. By his own account, his childhood -- during which he was mostly separated from his mother -- was lived out either in relative emotional isolation or, at brief moments at annual public ceremonies, in the shadow of his father's war record. By the end of the 1950s, he was enjoying the skiffle boom -- which was represented locally in Norwich by a band called the Saints -- and also gravitating to the work of the American beat poets and jazz musicians. Bunn had started playing guitar in his teens, and by the end of the decade had taken the lead guitar spot in a group called the Bishops. In the early '60s, however, he made the switch to playing jazz bass, and was working for Cockney rockabilly icon Joe Brown. He was back on guitar for a stint with Wee Willie Harris in Hamburg, and later bounced back to East Anglia and a soul outfit called the Bluebottles, whose members included Mike Patto.
Bunn's real love lay with jazz, and not the trad style that was dominant in commercial circles -- he was a serious Charlie Parker devotee. But he found most of his opportunities playing rock and soul, and the Bluebottles got gigs with the likes of Manfred Mann and the Animals; working in those musical surroundings, Bunn spent most of what free time he had at Ronnie Scott's jazz club. During the mid-'60s, he worked with a wide array of players, including Graham Bond, Zoot Money, and Joe Harriott, and crossed paths with Jimi Hendrix. By his own account, he also used a massive amount of recreational, often hallucinogenic drugs across the years leading up to the late '60s, which caused a memory lapse on aspects of his life that lasted well into the 1980s. He played with the Ken Stevens dance band and in Marianne Faithfull's backing band, and also lost out to Mick Taylor in a bid to join John Mayall's Bluesbreakers. After a stint playing with the expatriate South African Blue Notes, Bunn ended up working alongside Glenn Sweeney and Dave Tomlin in a trio called Giant Sun Trolley, which played on the same bills as Pink Floyd, Soft Machine, the Crazy World of Arthur Brown, and Procol Harum at the UFO Club. He was, through the trio, part of "The 14 Hour Technicolor Dream," a renowned psychedelic extravaganza. Bunn spent a significant chunk of 1967 and early 1968 traveling around the Middle East, especially Afghanistan, Iran, and Turkey. Back in England, he founded Djinn, a quartet that became a footnote in music history (but missed out on a page of its own) by allowing a youthful David Bowie into its ranks very briefly, part of a professional liaison that didn't last, though it led to Bowie taking up the song "Life Is a Circus" as part of his repertory for the next several years. Alas, Bunn somehow managed to lose control over the copyright and never saw any reward or recognition come from his use of the song. He also enjoyed a short-lived collaboration with lyricist/singer Pete Brown.

Bunn's solo career seemed to take off after he walked into the Apple offices on Baker Street and -- apparently based on the fact that Paul McCartney remembered him from the Beatles' days in Hamburg -- was able to talk his way into getting the use of one of their studio facilities to cut a series of demo sides. Those eventually became the basis for his recording contract with Philips Records, which resulted in the album Piece of Mind. Even that release wasn't simple and straightforward, however, as Philips licensed the new recording to Major-Minor, a tiny outfit that went bankrupt soon after. It took some doing to get the album issued a couple of years later, and in the interim Bunn received an invitation from an old friend, drummer Laurie Allen, to join the progressive rock band Piblokto, which brought him back to Pete Brown's orbit and made a brief musical splash in the turn-of-the-decade art rock world. It was after leaving them and forming his own outfit, Endjinn, that Piece of Mind was finally issued, but his work with the group proved more fortuitous at the time. Endjinn led to Bunn's most musically important gig, as the original guitarist for Roxy Music, from November of 1970 to the summer of 1971. He was long gone by the time they were signed to a recording contract, but his name has occasionally come up in recollections by Bryan Ferry. Since the early '70s, Bunn had more or less dropped out of music, apart from one-off projects such as one album by McCartney's brother, Mike McGear, and much later, releases by Davy Graham and Peggy Seeger.
He became much more focused on politics, and was especially concerned with issues of national and corporate malfeasance and greed, and the specific issue of South African apartheid; he also happily helped to inform anyone who would listen of the CIA's complicity in the Afghan opium trade, among other nefarious goings on around the world, and sides to the West's involvement in the Middle East that are almost never discussed. Bunn passed away in July of 2005, just a few days after his 63rd birthday, in the same year in which the CD reissue of Piece of Mind -- long regarded as one of the great lost albums of the psychedelic era -- had finally been arranged.

Wonderful album and highly recommend.
Enjoy
         SB1      Flac p1  & Flac p2  & Flac p3         mp3@320


The Beach Boys - Sunflower 1970 (1990 Epic Records)


After Reprise rejected what was to be their debut album for the label, the Beach Boys re-entered the studio to begin work on what would become a largely different set of songs. The results signaled a creative rebirth for the band, a return to the beautiful harmonies and orchestral productions of their classic mid-'60s material. Though the songwriting didn't quite reach the high quality of "California Girls" or "God Only Knows," Sunflower showed the Beach Boys truly working as a band, and doing so better than they ever had in the past (or would in the future). Many of the songs were co-compositions, and the undeniable songwriting and performance talents of Dennis Wilson and Bruce Johnston were finally allowed to flourish: Dennis contributed "Slip On Through," "Forever," and "Got to Know the Woman," while Bruce wrote "Deirdre" and "Tears in the Morning." After a succession of spare, unadorned lead vocals on rock-oriented albums like Wild Honey and 20/20, Sunflower returned the Beach Boys to gorgeous vocal harmonies on the tracks "Add Some Music to Your Day," "Cool, Cool Water," and "This Whole World." And the arrangements, tight and inventive, showed Brian Wilson once again back near the top of his game (though the production is credited to the entire band). Sunflower is also a remarkably cohesive album, something not seen from the Beach Boys since Pet Sounds. As with that album, Sunflower earned critical raves in Britain but was virtually ignored in America. [Sunflower was made available in 2000 as half of the two-fer collection Sunflower/Surf's Up.](allmusic.com)




I don't know what Reprise rejected but it looks like a good decision if i hear what they recorded after re-entering the studio. On the album is not one weak track and also no average song. You can listen to twelve top notch songs, all different, all with great arrangements and strong vocal lines.The album is a conglomerate of a lot different songs but all with a positive musical feeling. This was for years their strongest work and one of their best. I highly recommend it.
You will have fun
                            SB1     Flac p1  &  Flac p2       mp3@320

The Two Last Volumes: A Collection Of Rare '60s British Psychedelic And Mod Era Singles: Various Artists - A Perfumed Garden 1965 -1973, Vol.4+5 (2003 Past & Present Records) Flac & mp3@320















Hello Folks, it's weekend once again and i am very glad about it. The last week had a lot work and other aggravating things so i am now ready to enjoy the weekend.
I want start today with the last two volumes of the marvelous ''Perfumed Garden'' series and i hope you enjoy the music as well as i do. Enjoy it and here are the links:

  Vol.4 Flac p1 &  Vol.4 Flac p2        Vol.4 mp3@320

 Vol.5 Flac p1  &  Vol.5 Flac p2        Vol.5 mp3@320

Have fun
              SB1