HOLIDAYS IN THE SUN!!!




Hello Folks, just for your information i will go to the sun this year from the 23rd of this month until around the 15th of october. I got the confirmation today. Hurray :-). hope we will meet here again after my holidays.

Frank

Sunday, 20 August 2017

US Garage: The Mourning Reign (USA) - Satisfaction Guaranteed (Vinyl 24/96) 1966-1967 (2013 Beat Rocket) Flac & mp3@320


Formed in San Jose, California, USA, the Mourning Reign were garage band peers of the Chocolate Watchband and the Harbinger Complex. Initially known as the English, they comprised Frank Beau Maggi (vocals), Johnnie Bell (lead guitar), Steve Canali (rhythm guitar), Charlie Garden (bass) and Craig Maggi (drums). They were highly popular in the suburbs of south and east San Francisco, playing punk-styled material derivative of the Rolling Stones and Yardbirds. The group recorded a cover version of ‘Evil Hearted You’ as their debut in 1966, before completing a compulsive original song, ‘Satisfaction’s Guaranteed’, as its follow-up. Thomas O’Bonsawin then replaced Bell, but although two further tracks were completed for a third single, it remained unissued as the Mourning Reign split up in 1968 when several members were drafted to Vietnam.(allmusic.com)

This San Jose band from the mid-1960s has had a cult following for quite some time based on a tiny handful of local sides that passed from one collector to another, enhancing their rep by word of mouth. This ten-song issue on Sundazed's vinyl only subsidiary label captures them raw 'n' nasty, blasting through some studio covers of Who, Cream and Yardbirds tunes and a brace of their own stuff. Lead singer Beau Maggi was one of the best garage-band Jagger soundalikes, and the band had that nether ground between British fuzztone band and coming psychedelia down pretty darn well; it's all here to enjoy.(Cub Koda, allmusic.com) 


A band who is also on the ''Garage Beat '66'' series. This guys played a very good style with different influences.

Have fun
                SB1      Flac p1  &  Flac p2 &  Flac p3          mp3@320

Harmony/Sunshine Pop by subsequently Bread members: The Pleasure Fair - The Pleasure Fair 1967 (1997 Universal Japan) Flac & mp3


Vocalist Michelle Cochrane, singer/keyboardist Robb Royer, bassist Tim Hallinan, and drummer Steve Cohn formed harmony pop quartet the Pleasure Fair in Los Angeles in 1966. The group signed to Uni Records the following year, and on the recommendation of session ace Leon Russell, pop maestro David Gates was installed to produce their self-titled debut LP, headlined by the single "Morning Glory Days." "(I'm Gonna Have To) Let You Go" followed in 1968, and the Pleasure Fair soon dissolved; Gates then recruited Royer to join his fledgling soft pop group Bread, and the rest is AM radio history -- Hallinan is also among the musicians credited on the first Bread album, and later enjoyed a career as a mystery novelist. (allmusic.com)

Short lived project of harmony pop with some very fine vocal arrangements. Maybe you give it a try if you like well arranged vocals with slight folk influences.

Have fun
               SB1                                  Flac  &  mp3@320

Various Artists - Garage Beat '66 Vol.4 ''I'm In Need'' (2006 Sundazed Records) Flac & mp3@320


Sundazed picks up its Garage Beat '66 series where it left off, with the fourth volume, subtitled I'm in Need!, following the same pattern as the first three, serving up 20 garage rock sides from the latter half of the '60s (1966 is ground zero for this comp, but it features tracks recorded between 1965 and 1970). While this series does have something to offer serious collectors -- primarily excellent sound quality and a handful of previously unreleased tracks -- it isn't intended for garage fanatics: it's designed as the next step for listeners who love Nuggets but don't have the time, inclination, or patience to sort through the various Pebbles and Rubble series.


It's also for listeners who have a fairly strict definition of garage, preferring American bands inspired by the Rolling Stones and Yardbirds bashing out blues-influenced primitive rockers, not the psychedelia that runs rampant through Nuggets, because there's precious little of that to be found here. Which isn't to say that Garage Beat is monotonous (well, no more than any other garage rock comp, but anybody interested in this music knows that going into the disc). There's a good variety of sounds and attitudes on I'm in Need!, from the snide, harmonica-fueled opener of the Haunted's "1-2-5" and Rob Kirk & the Word's minor-key, trippy "Girl Talk" to Nobody's Children's fuzzy, sneering "Good Times" and the Torquays' tense, Yardbirds-styled "Harmonica Man (From London Town)."




 There are three previously unissued cuts here, all noteworthy: the Counts IV's dense, wordy "Discussion of the Unorthodox Council," the Groupies' version of Willie Dixon's "Down in the Bottom," which is a rowdy barnstormer, and the Rahgoos' "Do the Rahgoo," an exhilarating manic two-minute blast of chaos. While there are no big hits here and a couple of cuts don't rise above the appealingly generic, this is a tight, compulsively listenable collection of some of the best second-tier garage rock singles.

Much of this can be found elsewhere or is well known to hardened collectors, but for those listeners who don't want to amass a large collection of garage comps, this volume of Garage Beat, like the others, is an excellent distillation of some of the best lesser-known sides of the genre.(allmusic.com)



Here we go with vol.4 and i hope you will have fun. The american garage bands were excellent back then in the sixties. Enjoy!

Cheers
           SB1                                   Flac p1Flac p2         mp3@320

Psychedelic Rock: The Illusion - The Illusion (CD) 1969 & Together (As A Way Of Life) (vinyl) 1969 (TRC Records 1994) FLAC ONLY!



This Long Island quintet tried to simultaneously fly their freak flag and sweet-talk the teenyboppers, and the results were lopsided but strong enough to shine years later. The Illusion scored a Top 40 hit in 1969 with a truncated version of the opening track from this debut LP, "Did You See Her Eyes."

It's a tough, swaggering number with a simple theme (skirt watching) and a basic structure, but the album cut is expanded with an obtrusive drum solo, assorted echo/wah-wah effects, and an uncredited cop from Sly & the Family Stone's "Sing a Simple Song."
Such unnecessary tampering proves that the Illusion were hip to the new directions that rock was taking at the time and had grander plans for their music than mere hit singles. Regardless, these guys sound best when they get straight to the blue-eyed soul without any prog rock side trips. "Talkin' Sweet Talkin' Soul" should have been the hit, a rambunctious power pop number that bounces around the ears with an irresistible wordless vocal hook. The medley of "Run, Run Run" and "Willy Gee (Miss Holy Lady)" combines both tendencies, pairing the aggressive hard rock of the former ("I'm gonna get shot/This girl is hot!") with the bubblegummy singsong of the latter ("One, two, three/Push out Willy Gee/Four, five, six/Beat him with a stick"). Most of the remaining track time strives for a slightly more psychedelic soul sound, at times reminiscent of the Rationals or a bluesier Byrds. Of these songs, "I Love You, Yes I Do" and "Charlena" stand out, but all the material on this now-rare LP has serious spirit and period charm.(allmusic.com)


Hello Folks, yesterday or the day before yesterday i saw these both albums on the wonderful ''Down Underground'' blog ( link ) and i thought it could be a good idea to post them here in Flac. If you prefer mp3 please go to the Down Underground blog, i post it in this case only in Flac.
Hope you will enjoy
                                 SB1   The Illusion Flac p1        The Illusion Flac p2    & 

                                                Together Flac p1     -  Together Flac p2      


The Cribs - Men's Needs, Women's Needs, Whatever (2007 Warner Bros.) Flac & mp3@320


With each album, the Cribs have gotten a little sharper and more focused, and nowhere is this clearer than on the brilliantly named Men's Needs, Women's Needs, Whatever, the band's major-label debut. The Cribs enlisted Franz Ferdinand's Alex Kapranos as producer, and it's a good match: while he doesn't impose too much of Franz's clockwork precision on the band, Kapranos reins in the Cribs' more shambling tendencies just enough to make Men's Needs, Women's Needs, Whatever their most listenable, and diverse, work yet.


 The album kicks off with a slew of bouncy, angular songs about awkward relationships and killer crushes that sound like state-of-the-art British indie circa the late 2000s -- in particular, "Our Bovine Public"'s ridiculously catchy melody and punchy drums feel like the results of an experiment to fuse together Maxïmo Park, the Futureheads, and Good Shoes in some secret lab. "Girls Like Mystery" and "I'm a Realist" (which states, bluntly, "I'm an indecisive piece of sh*t") follow suit with more witty lyrics, sweet harmonies, and big, rousing choruses. As good as these songs are, they're so much in the template of this kind of British indie that they run the risk of sounding like caricatures. However, as Men's Needs, Women's Needs, Whatever unfolds, the Cribs expand their sound. Interestingly, they distinguish themselves from other like-minded British bands by adding influences from American acts like Weezer and the Strokes.


Ryan Jarman often sounds like a British Rivers Cuomo, especially on "Moving Pictures," while jaunty, vulnerable songs about emptiness like "I've Tried Everything" and "My Life Flashed Before My Eyes" would fit right in with the work of Julian Casablancas and company. "Be Safe" boasts a poetic rant by Sonic Youth's Lee Ranaldo and sounds, in the best possible way, like some great lost alt-rock song from 1995. It's easily the best song on the album, which is kind of a shame since the Cribs (probably) can't recruit Ranaldo to be their full-time frontman. Fortunately, the tracks that follow it -- especially "Shoot the Poets," the pretty, slightly twangy acoustic song that closes the album -- show that the Cribs' music can't be typecast quite as easily as earlier songs suggested. The Cribs aren't strikingly original -- yet -- but this album sums up where they've been, and where they could go, nicely.(allmusic.com)


2007's ''Men's needs...'' opened a lot new ways and possibilities for the cribs with their signing to major Warner. In front of this background it makes more sense (for Warner) that Johnny Marr came in the band in 2009. Back then i couldn't understand the decision of the band because everything was very well for the band. They were on the way to the top (at least in UK and other european countries). I don't think the band loved it really. Sure they were good pals with Marr but the guys had a lot of pals, lol. I believe it was more a label thing. And it don't really worked well. Not more record sales and a lot of the fan base thought ''why the hell is Marr in my favourite band now?'' In 2011 Marr left the band and everybody was happy again. The band and the fans as well.
Two words about the album: Grab it!
Have fun
               SB1                           Flac p1  &  Flac p2             mp3 @320