Hello Folks, just for your information i will go to the sun this year from the 23rd of this month until around the 15th of october. I got the confirmation today. Hurray :-). hope we will meet here again after my holidays.


Friday, 1 September 2017

Australias '60s Popstars: The Easybeats - Easy 1965-1966 (1992 Repertoire Records) Flac & mp3@320

Their first album, not available outside Australia until the 1990s. The Vanda/Young songwriting partnership had yet to dominate the band in their early days, and most of the (entirely original) material here comes from the pens of George Young and singer Stevie Wright. It's more Merseybeatish and less oriented toward power-pop and staccato guitar attacks than their subsequent releases, which isn't really detrimental; it doesn't scale the peaks the band would shortly climb, but neither does it have the overdone good-time mania that made some of their efforts hard to take in more than limited doses.

A fairly consistent, if not incredibly remarkable, relic from the Beat era, with some very Beatlesque tracks, including "It's So Easy," "I Wonder" (on which Harry Vanda sounds a lot like a young George Harrison circa "Do You Want to Know a Secret"), and cuts that could pass for the Searchers ("I'm Gonna Tell Everybody"), Gerry & the Pacemakers ("Hey Girl," "A Letter"), the Merseybeats ("Cry Cry Cry"), the Kinks ("You'll Come Back Again"), and Peter & Gordon ("Girl on My Mind").

Stuck in the middle of all of those delightfully derivative treasures is the most defiantly original track off the album, and (not coincidentally) their first big Australian hit, "She's So Fine," which doesn't sound like anything else here, pulsing with energy, a hot pumping bass part, and a ferocious guitar break. The Repertoire Records CD reissue enhances the original album significantly with the addition of eight bonus tracks, including five jewels from the Vanda/Young songwriting team.(

A fine compilation by Repertoire with a lot of very good songs here.

Have fun
              Frank                              Flac p1  &  Flac p2          mp3@320

At Request: Lee Hazlewood Industries - There's A Dream I've Been Saving 1966 - 1971 4 Discs (2013 Light In The Attic Records) Flac & mp3

Lee Hazlewood fans have seen a bounty of reissues and compilations issued over the past decade with anthologies of his MGM and Reprise singles, and albums appearing with some regularity. Light in the Attic has always gone deeper. It has released comps and catalog items from his LHI label, his work with Duane Eddy, and more. But they've outdone themselves with There's a Dream I've Been Saving: 1966-1971, a box set seven years in the making documenting the complete history of LHI (Lee Hazlewood Industries). Two of its four audio discs provide Hazlewood's complete recordings for the label, many equal to those he cut earlier in his career.
The other two offer highlights from his artist roster: there are tracks by the International Submarine Band (w/ Gram Parsons), Suzi Jane Hokom (while a recording artist, she was also was one of the first notable female record producers; the Beatles wanted to work with her but Hazlewood nixed it), Kitchen Cinq, Honey Ltd., Ann-Margret, Virgil Warner, the Aggregation, Hamilton Streetcar, Lynn Castle, and more. Fans may be familiar with most of his recordings, but there is much that will be new to many. One thing his artists had in common was, no matter how different from one another stylistically, all benefitted from top-flight production -- from Hazlewood, Hokom, or staff producers -- assistance from in-demand arrangers like Jack Nietszche, and session players who included Earl Palmer, Carol Kaye, and other members of the Wrecking Crew. Ninety-five percent of this material was painstakingly remastered from original analog masters, the rest from pristine vinyl sources. Also included is a region-free DVD of director Torbjörn Axelman's strange 1970 Hazlewood film, Cowboy in Sweden, transferred from the 16mm negative into HD with remastered sound and available for the first time.
The included book is stellar: 172 hardbound pages in a beautiful 12x12 presentation that offers a complete history of LHI, with input from various artists and staff -- not all of it flattering -- interviews with Hazlewood and Hokom, profiles of 27 artists, an album-by-album breakdown, a timeline, and loads of rare color photos.
While this is for hardcore Hazlewood fans, it's more than that, too: Hazlewood, a wildly successful producer, songwriter, and recording artist, took his money and became his own boss. That he eventually failed had as much to do with the stakes LHI was competing against as its naive business model. There's a Dream I've Been Saving is a prime cultural artifact documenting a high point in an independent era in pop recording, production, and D.I.Y. aesthetics. It deserves a Grammy for content and design.

This 4 Disc compilation (no DVD here) shows a lot of the work as producer and as a performer. Hazlewood made Nancy Sinatra a star. First in the US and a little later nearly worldwide. He often had gone his own ways. Often he stumbled often he stood up again.

Have fun
              Frank     Flac p1  & Flac p2             mp3 p1  -  mp3 p2  -  mp3 p3  -  mp3 p4

Great '60s Nederbeat: The Motions - Introduction To The Motions -Their Own Way 1965-66 (2001 Pseudonym Records) Flac & mp3@320

A pretty typical Dutch "beat" group of the 1960s, the Motions were pretty popular in their native land, releasing seven albums and over 27 singles in their eight-year career. Far from the best Dutch group, and far from the worst, most of their hits were fairly ordinary fare, ranging from dippy folkish ballads to tough mod rockers.

Their best cut is the positively ferocious mod stomper "Everything That's Mine" (1966), with a searing feedback break worthy of the early Who. They're really most remembered for their lead guitarist and songwriter, Robby van Leeuwen, who left in 1967 to form Shocking Blue, and penned that group's international smash, "Venus."(R.Unterberger,

It's a pity that it seems there is not more to say about the band as three words. And i don't remember the band ''really most  for their lead guitarist and songwriter, Robby van Leeuwen, who left in 1967 to form Shocking Blue, and penned that group's international smash, "Venus''."
I remember the band most of their music, here in this collection for instance of their songs from the first album ''Introductions for the Motions' 1965 and the fourth ''Electric Baby'' from 1969. The guys was really a good pop/beat/mod/garage band from the Netherlands. Now i will think about a little of Shocking Blue, lol.

Have fun
               Frank                         Flac p1  &  Flac p2             mp3@320

Psychedelic Pop Rock from '68: Southwind - Southwind 1968 (2015 Big Pink Records, Mini Lp disc, Korean Remaster) Flac & mp3@320

Country-rock unit Southwind comprised singer/guitarist John Martin, singer/bassist Jim Pulte, organist Phil Hope and drummer Eric Dalton. Originally formed at the University of Oklahoma as a rockabilly combo called the Disciples, in 1967 the group relocated to Los Angeles at the suggestion of musician friend Fontaine Brown, adopting the more contemporary moniker Southwind and significantly expanding their sound to incorporate elements of British Invasion-inspired pop, psychedelic rock and traditional country.

Signing to the tiny Venture label, in 1968 Southwind issued their self-titled debut; Brown soon replaced Hope as a fulltime member of the band, with a move to Blue Thumb preceding their 1970 follow-up Ready to Ride, in part recorded live at the Fillmore West. 1971's What a Strange Place to Land, meanwhile, spotlighted a more pronounced blues influence than past efforts.

Southwind disbanded soon after the record's release; swapping his birth name for his nickname "Moon," Martin went on to back Linda Ronstadt, later recording a series of solo albums and writing the Robert Palmer smash "Bad Case of Loving You (Doctor, Doctor)." Pulte also cut a pair of 1972 solo LPs for United Artists before disappearing from the music scene.(

Hello Folks, first post today is US band Southwind who released several albums. This is their debut album and it's really a good one. Fine Arangements in the songs and very well done vocal performance by the whole band. They had pop and rock and also psychedelic influences from what they created their songs. Great album and lovely mini lp package.

Have fun
               Frank    Flac p1Flac p2          mp3@320